[ No, no forzeh ]
The Mount Kimbe on these pages are more or less from the first cry over a year and a half ago. It is not clear whether reread the dubstep indiepop with sensitivity or if not apply the rules of broken rhythms ultra + reverb + blipblip to postrock and pop. They're in the middle and make music to flow today, hours continuous hours absorbed. The Mount Kimbe is a duo, when not accompanied with James Blake, and these are below. Forzeh.
Last Saturday they played in Turin. At the end of the concert were in tears, especially the blond. "You know, yesterday we played in front of ten people. "It seemed that someone applauding themselves for the first time, although wandering between audio and video recordings can boast some of the most important clubs and festivals in Europe. But sometimes after a night you wrong need to catch the enthusiasm. Forzeh.
The armory is on stage composite. tranquillona midi keyboard m-twenty-five keys to play with the bass, Maschine Kaossilator + + + drumpad SP404, electric guitar pedals on the table and drum / plate that humanize the bits crocheted, woven by the hands and arms that go to press the keys of the instrument of the other. For most of you go over the debut album with some bets on inevitable ep, much less with the pieces of the original toy, you want the greater mass of sound, either by the addition of live guitar drone or the outline of rhythmic drums on stage (all the final moves in a miraculous land between postrock and techno). There are also two microphones (too), from which are taken against the chorus of Maybes (maanchenos) and a soffocatissimo another piece. The impression is to be present in a dazzling start the harvest: an unexpectedly heated public can ask how it should be an encore, the blonde said to have played all the pieces at their disposal, they are asked to ring an already fatto e rispondono ringraziando che non รจ possibile. No, senza forzeh.
Mount Kimbie - Field (from Crooks & Lovers) by Hotflush
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